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viel zu einschläfernd das ganze the blackest day ist das große Highlight der Platte... ansonsten wenig spektakulär...
finds zugegebenermaßen sehr krass, weiß nicht ob ich schonmal einen besseren track von ihr gehört hab
ist nicht schlecht, aber leider nichts besonders ikonisches, wie nach so langer wartezeit erwartet. vielleicht hätte ich vorher nicht lesen sollen, wer alles an dem track mitgewirkt hat (hui...), um die erwartungen etwas niedrigen zu halten. das video holt aber noch mal so einiges raus und läuft gerade zum vierten mal.
Wer hat mitgewirkt?
achsolana ich liebe dich
LDR: I mean, Max Martin...
CL: Wait, you wrote with Max Martin? You went to the compound?
LDR: Have you been there?
CL: No. I’ve always wanted to work with Max Martin.
LDR: So basically, ‘Lust for Life’ was the first song I wrote for the record, but it was kind of a Rubik’s Cube. I felt like it was a big song but... it wasn’t right. I don’t usually go back and re-edit things that much, because the songs end up sort of being what they are, but this one song I kept going back to. I really liked the title. I liked the verse. John Janick was like, ‘Why don’t we just go over and see what Max Martin thinks?’ So, I flew to Sweden and showed him the song. He said that he felt really strongly that the best part was the verse and that he wanted to hear it more than once, so I should think about making it the chorus. So I went back to Rick Nowels’ place the next day and I was like, ‘Let’s try and make the verse the chorus,’ and we did, and it sounded perfect. That’s when I felt like I really wanted to hear Abel sing the chorus, so he came down and rewrote a little bit of it. But then I was feeling like it was missing a little bit of the Shangri-Las element, so I went back for a fourth time and layered it up with harmonies. Now I’m finally happy with it. (laughs) But we should do something. Like, soon.
CL: I would like that. That would be awesome.
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