SYNTHWAVE / VAPORWAVE /80s NOSTALGIA / COMPUTER GAME MUSIC

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"Dawn Hunter" @1:55 :eek:

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ein klassic

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1V8M8.gif
 
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Shot in 1990 and unreleased until THIS VERY MOMENT. The final collaboration between exploitation demigods James Bryan (DON’T GO IN THE WOODS) and the late Renee Harmon (FROZEN SCREAM), JUNGLE TRAP is a decapitation-fueled, shot-on-video horror masterpiece about a jungle hotel haunted by kill-crazy ghosts in loin cloths. The movie remained unedited, unscored, and unseen by human eyes for over two decades . . . UNTIL NOW. Under Bryan’s guidance, the Bleeding Skull! team meticulously edited the movie and Taken By Savages recorded a soundtrack utilizing vintage 1980s synthesizers. For the first time ever, Bryan and Harmon’s raging slab of anti-sanity can be deeply enjoyed by the world's most adventurous viewers and listeners. That’s you.
 
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Units - High Pressure Days

Unglaublich wie diese Typen 1979 schon einen Sound gebracht haben, der fast 30 Jahre später auf Labels wie Kitsuné und im "New Rave" Kontext dann nochmal als nächstes großes Ding gefeiert wurde. (Nichts gegen diese Szene übrigens, überhaupt nicht.)

Egal wie oft ich "High Pressure Days" höre, ich kann nur immer wieder ungläubig den Kopf schütteln, wie krass weit vorne die waren.

Auch das hier, die sind einfach nur krank...

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Unglaublich wie diese Typen 1979 schon einen Sound gebracht haben, der fast 30 Jahre später auf Labels wie Kitsuné und im "New Rave" Kontext dann nochmal als nächstes großes Ding gefeiert wurde. (Nichts gegen diese Szene übrigens, überhaupt nicht.)

Ja, an den Hype damals kann ich mich noch erinnern. Es ist schon erstaunlich, wie fortschrittlich manche Musiker in den 60-90'ies waren. Heute hat man das Gefühl, dass sehr viele in einer Retroschleife stecken. Der Musikjournalist Simon Reynolds hat es in seinem Buch "Retromania" perfekt auf dem Punkt gebracht. Die Zeit der großen Innovationen ist vorbei! House/Techno sind eigentlich die letzten Genres gewesen, die die Musikwelt erschüttert haben. Die einzigen Innovationen, die danach kamen/kommen werden, sind Sub- oder MIcrogenres der jeweiligen Hauptsparten. Das liest sich ziemlich negativ, ist aber nicht so gemeint. Ich genieße fast jedes neue Stück Musik, was mir um die Ohren gehauen wird. Anyway, ich schweife ab. Let's get back to topic:

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Das habe ich hier bereits gepostet. Nichtsdestotrotz ist es einer meiner Lieblingstracks von Oneohtrix Point Never. NSFW.

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John Carpenter returns to filmmaking after a seven-year absence with his new music video for "Christine," an instrumental off the director upcoming compilation Anthology: Movie Themes 1974-1998.
http://www.rollingstone.com/music/n...ns-to-filmmaking-with-christine-video-w502461

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That’s a good point. So what now for Chromatics?

Not that anybody wants to hear this, but we’re actually recording the next record. I’m really close to mixing and achieving the final editing on Dear Tommy. I don’t want to put any dates out there, but it’s sooner rather than later. It’s a beautiful album. It does exist. It’s the same tracklisting, all the same lyrics.

https://consequenceofsound.net/2017...aks-david-lynch-and-whats-next-for-chromatics
 
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